
Hot Sets
How BONNINSTUDIO Nailed Narrative Video in “Stage Fright”
BONNINSTUDIO’s Stage Fright shoot is a great example of how stock footage can be shot with the same narrative techniques and qualities as a feature film.
Juxtaposing carefree recreation with Brutalist architecture, Serbian photographer Audrey Shtecinjo tells a story of freedom in their latest Stocksy set. Shot in the New Belgrade military projects built in the Communist era, Shtecinjo showcases the pastimes of urban youth to communicate hope within an oppressive political environment. Shtecinjo notes, “I wanted to show how young people use creativity to live as they choose and find freedom, despite the circumstances.”
Belgrade native Audrey Shtecinjo is a graphic designer turned full-time photographer. Marrying their visual art passion with designer discipline, Shtecinjo captures a dynamic range of lifestyle and still-life imagery. Connect with Audrey and see more of their work on Stocksy >>
BONNINSTUDIO’s Stage Fright shoot is a great example of how stock footage can be shot with the same narrative techniques and qualities as a feature film.
Milles Studio share how they created their "Family Memories" footage and four main takeaways for capturing that real-life authentic film feel.
Javier Diez's neo-noir shoot is a testament to the fact that stock footage can be as cinematic as an arthouse film. See how he did it.
Photographing buildings all over Turkey, Yener Torun’s vivid geometric idiosyncrasies pop up like color oases amid the surrounding pallor of urban sprawl.